Yesterday, I went to visit Longplayer, Jem Finer‘s thousand-year composition, for the eleventh anniversary of its first note, played on New Years Day, 1999. Longplayer is currently controlled (performed?) from Trinity Buoy Wharf in London’s simultaneously desolate and overbuilt Docklands, covered in newly built flats and offices, with hardly a human in sight. Jem started…

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